Realism
Theatre 101: Introduction to Theatre
Theatre In the Industrial Age - Historical Background 1800-1900
- The Industrial Revolution (1800-1860)
- Cotton Gin
- Mechanization
- Mass migration to urban areas
- Poor living conditions
- Theory of Evolution
- Charles Darwin
- Natural Selection
- Connects man with animals
- Science and Church in conflict
- Positivism
- August Compte
- Human behavior is explainable and predictable by science
- Psychoanalysis
- Sigmund Freud
- The human mind is subject to scientific study
- Human actions can be predicted and explained
- Socialism
- Karl Marx
- Das Kapital, The Communist Manifesto
- Accepted political and religious norms are challenged
- Extends humanist doctrine
- Melodrama
- Vaudeville
- Opera
- Truth is derived through the Five Senses
- Drama as a mirror on Real Life
- Dwells on Heredity, Environment, Cause and Effect
- Attacked Social Evils
- Acting relies on Psychological Analysis
- Realism
- Henrik Ibsen, Anton Chekov, George Bernard Shaw
- Plays deal with real world problems
- Divorce - A Doll's House
- Real people struggling through real situations
- 4th wall
- Stanislavski's "Method"
- Based on emotional recall and psychoanalysis
- Naturalism
- Emile Zola
- French philosopher
- Wanted to scientifically view life on stage
- Maksim Gorky's play The Lower Depths
- Dealt with the living conditions of factory workers
- The set design was made to smell and feel authentic
- Nothing left to the imagination.
- National Geographic type recreations
- Konstantin Stanislavski
- The Method
- George II, Duke of Saxe-Meiningen
- The Meiningen Players
- Ensemble Acting
- Attention to historic detail
- Unifies all theatrical elements
- Father of Modern Directing
- The 4th Wall
- Box Sets with extreme attention to detail
- David Balasco buys a restaurant and rebuilds it onstage (The Governor's Lady, 1912)
- Andre Antoine has a set built with 4 real walls
- Star System vs. Ensemble
- Theatre audiences were fanatical
- "Old Price Riot"
- Covent Garden theatre
- Owner, John Philip Kemble raised prices
- Working class fans revolted
- Astor Place Riot in NYC
- May 8, 1849
- W.C. Macready vs. Edwin Forrest
- Realistic acting vs. Presentational
- Forrest's fans prevented Macready from performing. When he performed, 15 thousand attacked the theatre, 22 people were killed
- Electric Lighting
- Safer than flame
- Infinitely more controllable
- Colors
- Shuttering
- Theatre Companies start in every major city
- Winning the audiences from Melodrama
- Moscow Art Theatre - K. Stanislavski - Moscow
- Die Freie Buhne - Otto Braum - Berlin
- Theatre Libre - Andre Antoine - Paris
- Places of theatrical risk taking and discovery
- League of theatre owners
- Subscriber audiences
Updated 11/02/03
